Invited to make his first recording by Yehudi Menuhin, Philippe’s discography now includes over forty concertos, numerous world premières and rediscoveries such as that of the Samuel Coleridge-Taylor Concerto or the Ysaÿe 7th solo Sonata

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Ysaÿe 7th Solo Sonata Première Recording

Fiddler’s Blues

This duo’s rapport comes across in sparky performances. Premieres of pieces by Ysaÿe are a draw, but the Enescu sonata and Hora Unirii are a real treat and leave you feeling anything but blue.” ★★★★ – BBC Music Magazine

The big story here is the first recording of a previously undiscovered seventh unaccompanied violin sonata by Eugène Ysaÿe…Played with flourishing panache and easy command, it makes an electrifying opening …

The exquisite little unaccompanied transcription of Clair de lune (co-written with David Matthews) deserves to become a standard encore – though I strongly suspect that, like everything on this splendid disc, it’s not remotely as effortless as Graffin makes it sound.

- Gramophone

World première recording

“Soloists who search library stacks for lost masterpieces are as likely to turn up dross as gold.  But in Samuel Coleridge-Taylor’s Violin Concerto, Philippe Graffin, a French violinist, has found the kind of gem that makes the effort worthwhile…

Mr Graffin plays the work in the spirit of its time, with well-judged portamento to give sweetly turned melodies an extra measure of shapeliness and heart.   Even in speedier, more overtly virtuosic passages, he maintains a singing, beautiful tone.  
Allan Kozinn, – The New York Times

Philippe Graffin triumphantly demonstrates what an effective, endearing work it is, acutely responsive as he is to its bittersweet lyricism while equally relishing the many opportunities for solo display …Graffin plays with such vibrant character and imagination, and the whole venture radiates such a life-affirming spontaneity and joy in music-making”

– Gramophone, Editor’s Choice

“Graffin’s performance is most distinguished.  I cannot remember one on disc that so magically exploits the range of pianissimo that the score asks for.   This is not a barnstorming performance, as so many are with this massive work, but one which in total concentration brings out to the full the tenderness and poetry, not just in the central slow movement but in the other movements too, not least in the accompanied cadenza which is yearningly beautiful.

The story is similar with the first version of Chausson’s Poème… Here again the performance could hardly be more subtle, with Graffin maintaining the gentlest of dynamics while keeping total concentration”

Gramophone, editor’ s choice

Philippe Graffin’s playing brings back my whole childhood and the joy I had in playing or listening to the brilliant and romantic shorter pieces of the violinist’s repertoire…He has a rare gift of playing a phrase in the most elegant manner, in fact I have rarely heard music played more elegantly and brilliantly .

Yehudi Menuhin